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Screenplay translation actors can actually perform

Professional script translation for producers, showrunners and studios who need a translated screenplay that performs on set, not a literal text conversion. Feature films, series, animation and streaming originals.

Screenwriter's desk with an open script and notes

A translated screenplay has three jobs to do

A translated screenplay has to do three things the source already does: keep the dialogue speakable on set, keep the subtext where the writer placed it, and keep the timing close enough that a 90-second scene stays a 90-second scene. Most translation agencies handle the first and ignore the other two. That gap is why we exist.

Orion Translations has worked on screenplay and teleplay projects across feature films, TV series, animation and streaming originals for production companies based in Spain, the UK, the US and Latin America.

Film set with camera and lighting rig

What makes screenplay translation different

A screenplay is the only document we translate where the output will be spoken out loud by a paid performer in front of a camera. That single fact changes everything about how we work. Standard translation optimizes for accuracy on the page. A screenplay translation has to optimize for performability, timing, lip-sync (if it is heading for dub), reading speed (if it is heading for subtitle), tonal continuity across acts, and the cultural fluency of every joke, threat and silence.

A line that translates correctly in 14 words when the original was 7 will collapse the rhythm of the scene. The translator has to find a 7 or 8-word version that lands the same beat. This is closer to screenwriting than to translation. An idiom like "break a leg" translated literally into Spanish becomes nonsense, "mucha mierda" only works if the scene is set in a theater context. The translator needs to recognize the function of the line, not just the words.

Character voice is built across hundreds of pages. If a character speaks in clipped, monosyllabic sentences as a personality marker, the translator must hold that voice for the entire script, even when the target language naturally prefers longer constructions. And action lines are not decoration: they get read by the DP, the production designer, the AD and the stunt coordinator in the target market. A vague or awkwardly translated action line creates problems on set that you do not discover until you are shooting.

Who does the translation

Screenplay translators with screenwriting backgrounds: each specialist has written screenplays, worked as a script editor or supervisor, or holds a screenwriting degree in addition to translation. Pure language fluency is not enough, the translator has to understand why a writer chose a specific word and what happens to the scene if that word changes.

Native speakers of the target language, never the source. A script editor, also a screenwriting professional in the target language, reviews every translated screenplay before delivery and asks one question: could an actor perform this? For specialized projects (medical drama, period piece, crime show) we bring in subject-matter consultants so the slang, register and terminology are accurate, not textbook.

Film reel representing cinematic production

Formats and deliverables

We work with the file formats production teams actually use, not just Word documents. If you have a format we have not listed, ask.

Final Draft (.fdx) Movie Magic Screenwriter Fountain (.fountain) Production-locked PDF RTF and .docx Celtx & WriterDuet SRT / VTT / EBU-STL Netflix / Disney+ / HBO Max specs

Why production houses choose Orion Translations

Native screenwriters: our translations are handled by professionals who understand the mechanics of a script, not just general linguists. We avoid the "literalism trap", word-for-word translation that kills the cool factor of a script, we stop translated dialogue running 30% longer than the original scene, and we keep a thriller feeling like a thriller.

OTT expertise and secure infrastructure: we are well-versed in the delivery specs for major platforms like Netflix, Disney+ and Amazon Prime, and we use encrypted workflows to protect unreleased IP and sensitive scripts. As our team puts it: a great localization is invisible. If the audience does not realize they are watching a translated work, we have succeeded.

Don't let your story get lost in translation. We deliver scripts ready for cast and crew.

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